In a typical animation career you wear many hats. You may have a specific  expertise, but chances are that just as often, you'll juggle many skills and  titles from job to job. Animation artists find most of their work via word of  mouth. No offense to agents, reps, and recruiters, but to succeed in finding  work in the business of animation is to develop and maintain relationships. We  are, as Barbra Srteisand sang it, "people who need people."
 
 The Simple Truth:
 
 The key to finding work in animation is to accept that this is a people-driven  industry. People who know people who recommend people who hire people. Those who  take a negative view of the importance of relationships to the job hunt boil it  down to, "its all based on who you know". This makes "who you know" sound like  some random act of luck. In reality, you are responsible for "who you know", for  the relationships you create and sustain. Relationships require energy and  effort.
 
 The business of animation in North America is small enough that even within a  few short years, you could know someone connected to every studio on the  continent. We're all six degrees from our animation Kevin Bacons. Simple enough,  right? But these truths are not self-evident and if they are, we certainly don't  behave all the time as if we hold this to be true. This simple truth will show  up over and over again in this book.
 
 While there's no guaranteed way to find work in the animation industry, there  are a lot of things we can do to create the best possible odds for success.  Happily, finding work in the animation industry is something that gets easier  over time, as you expand your network of contacts and your reputation open doors  for you.
 
 Sustaining Relationships Can Lead To Work:
 
 In the animation industry, sometimes, the most effective job-hunting happens in  the most indirect way. Often, even when we make a good connection at a studio,  the timing is not right for an immediate job. So, what can we do to "hang  around" until something opens up without risking a restraining order? My  favourite solution si to stay in touch with people via the ocassional email.
 
 Recently, I was in a producer's office when he received n email from a mutual  friend of ours. "I guess he's out of work again," said the producer. I asked how  he knew that without reading the e-mail. The producer replied, "This guy only  e-mails me when he needs work."
 
 People are not keeping in touch with their contacts enough while they are  working. We need to nurture our contacts. Periodically send out updates to your  contacts. Let them know where you're working and why it's a great experience.  Either way, your contacts will be tickled that you thought of them. Over the  years, I have received a few job offers as a result of mailing out some  congratulatory message. While I wouldn't say sending out email messages and  updates should be anyone's main focus for job-hunting, they are a part of what  builds up a career over time. 
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